“It is a woman’s writing, but whose?” – (William Thackery on Jane Eyre)
The pseudonymous publication of Jane Eyre by “Currer Bell” sparked one of the great literary controversies of 1847. The novel proved an immediate and almost unprecedented success, selling out within three months while the public clamored for any information on the identity of its mysterious author.
Speculation was rampant in contemporary papers, with reviewers attributing the book to a man because of the quality and complexity of the prose. However, Thackeray, Charlotte Bronte’s literary hero and later an important member of her circle, wrote, “It is a fine book… I have been exceedingly moved & pleased by Jane Eyre. It is a woman’s writing, but whose?”
Bronte’s identity was revealed only after the work had gone through several editions and had been accepted as an English literary classic. View our current selection.
We offer an exceedingly rare association copy of the deluxe edition, this copy belonging to Shackleton himself, with his bookplates and additional autograph material, and also including the wonderfully illustrated Antarctic Book, issued only with this Limited Edition and signed by every expedition member, including Shackleton.
Faulkner, who reviewed the novel for the magazine Shenandoah, called it Hemingway’s best. “Time may show it to be the best single piece of any of us. I mean his and my contemporaries” (Baker, 593-94).
“A book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat.” – Mark Twain
The photographers depicted the soldiers and their leaders, the forts, the camps, the marches, the battlefields where the Blue met the Gray….and the horrendous aftermaths.
Instead, nearly 70 years old, aged and infirm, Galileo came down firmly, defiantly and triumphantly on the side of Copernicus and reason with the publication of his Diagolo in 1632. It was a dangerous book, written in the language of the masses and clearly illustrated with drawings that any layman could comprehend.
The story of Cain and Abel provided a thematic framework for his own story, and in copying out Chapter 4 of Genesis in preparation for a chapter of his own, Steinbeck came across his title: East of Eden.
Dickinson’s poems are her “letter to the world,’ records of the life about her, of tiny ecstacies set in motion by mutations of the seasons or by home and garden incidents, of candid insights into her own states of conciousness, and of speculations on the timeless mysteries of love and death. Her mind was charged with paradox” (Hart, 108-9).